Dear Customer and friend of the Far Side,
The ever excellent Gramo Club label, who mostly re-release recordings from the 1920s and 30s have three new albums out.
I have noticed a bit of an upturn in interest in vinyl, as you might have read about in the press, and this month are two vinyl releases, both limited edition and probably won’t be around for too long. The latest album from Metafive, featuring Yukihiro Takahashi and Keigo Oyamada (Cornelius) among others, and a personal favourite by the group Fishmans
Metafive also have a new live Blu-ray / CD, out in August but available to pre-order now.
There are two albums of loosely termed ‘traditional’ music. Kunihiro Izumi (sax player with Shibusashirazu) plays shakuhachi on an album of improvisation, folk, traditional and jazz. Late shamisen player /singer Haru Momoyama features on a recording from 1986 in a modern narrative style based on an award winning 1960s novel.
More genuinely traditional in style are four albums of Japanese Street Entertainment.
Veteran, much respected, folk singer from the 1960s and 70s, Osamu Okuno has just released his first album for thirteen years, and very good it is too. Two books, one chronicling the extensive collection of the late journalist, producer, collector Toyo Nakamura, another on 20th century popular music plus a DVD have been released as a limited edition box set. From Okinawa is a traditional CD by the brilliant Toru Yonaha.
We’ve been selling (although I’m not sure for how much longer they will be available) a limited edition of Brian Eno’s latest album with a Japan only bonus track. Staying with electronic, experimental sounds, is an album by Japanophiles Christian Fennesz and Jim O’Rourke and on Ryuichi Sakamoto’s Commmons label an album by Yakushimaru Experiment.
There are seven new Far Side Radio shows to listen to again since the last newsletter, originally broadcast on Resonance 104.4fm; Guests from Okinawa were Kanako Horiuchi and Coo. London based Mina Mermoud also played Okinawan music, while London based Japanese journalist Akiko Shimizu played music from the excellent Zipangu label. Added to these were music from book/CD collections, the Asia Diaspora and 60s and 70s Ryukyu Rare Groove.
Thanks to all the messages wishing the best to our office in Japan, based in the area in Kumamoto where the earthquake hit. Things have settled down, although challenges still remain. Our benefit concert with Kanako Horiuchi went off brilliantly, while I’m dj’ing at this event in London, also for Kumamoto.
Until next time.
All the best